Kamis, 20 Februari 2014

[G796.Ebook] Free PDF Finnikin of the Rock (The Lumatere Chronicles)

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Finnikin of the Rock (The Lumatere Chronicles)

  • Published on: 1700
  • Binding: Paperback

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In Mismatched Women, author Jennifer Fleeger introduces readers to a lineage of women whose voices do not "match" their bodies by conventional expectations, from George du Maurier's literary Trilby to Metropolitan Opera singer Marion Talley, from Snow White and Sleeping Beauty to Kate Smith and Deanna Durbin. The book tells a new story about female representation by theorizing a figure regularly dismissed as an aberration. The mismatched woman is a stumbling block for both sound and feminist theory, argues Fleeger, because she has been synchronized yet seems to have been put together incorrectly, as if her body could not possibly house the voice that the camera insists belongs to her. Fleeger broadens the traditionally cinematic context of feminist film theory to account for literary, animated, televisual, and virtual influences. This approach bridges gaps between disciplinary frameworks, showing that studies of literature, film, media, opera, and popular music pose common questions about authenticity, vocal and visual realism, circulation, and reproduction. The book analyzes the importance of the mismatched female voice in historical debates over the emergence of new media and unravels the complexity of female representation in moments of technological change.

  • Sales Rank: #2315276 in Books
  • Published on: 2014-09-01
  • Released on: 2014-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x .90" w x 9.20" l, .0 pounds
  • Binding: Paperback
  • 264 pages

Review

"Jennifer Fleeger's Mismatched Women is a must-read for anyone interested in musical women, performance studies, and media culture." --Marcia J. Citron, Rice University, Music and Letters


"Mismatched Women sings with intelligence, originality, and depth." --Claudia Gorbman, co-editor of The Oxford Handbook of New Audiovisual Aesthetics


"Fleeger complicates previous theories of the female voice, rethinking the 'match' between sound and body, technology and voice. Linking seemingly disparate singers and modes of performance - ranging from opera to animated film to radio and reality TV - Fleeger shows the way in which mismatched women challenge gender stereotypes and mechanisms of pity associated with having, or being, the wrong body." --Pamela Wojcik, Director of Gender Studies and Professor of Film at the University of Notre Dame


"[T]he blend of recorded music history with the analysis and interpretation that Fleeger offers marks her book as unique...Fleeger's rigorous academic analysis represents a much-needed addition to the music and performance analysis in scholarly literature...I recommend this book for any academic music or media library as well as scholars who wish to study women and music, women and mass media, women and popular culture, or sound recording history."--Association for Recorded Sound Collections Journal


About the Author

Jennifer Fleeger is Assistant Professor in the Department of Media and Communication Studies at Ursinus College where she teaches courses in the film studies program. Her first book, Sounding American: Hollywood, Opera, and Jazz, also appears in Oxford's Music/Media Series.

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Kamis, 13 Februari 2014

[Q393.Ebook] Ebook Free Drawing the Draped Figure (Dover Anatomy for Artists), by George B. Bridgman

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Drawing the Draped Figure (Dover Anatomy for Artists), by George B. Bridgman

Many art students and professionals have mastered the art of depicting unclothed figures, but still have trouble accurately rendering clothing or other forms of draped cloth. Part of the problem — before this book came along — was that there was a lack of concise and simple instruction on the subject, and much that was written was too vague to be helpful. This comprehensive, well-illustrated book was created to solve the problem.
In these pages George Bridgman — a longtime instructor at New York's Art Student League and one of the nation's foremost teachers of figure drawing — offers expert advice on depicting draped figures. "Clothing is none other than a drapery arranged around a body that is beneath it. To express the multitudinous forms it takes, one should learn to express in a direct way the different characters of folds, for each one plays its individual part as distinctly apart as actors play their different characters upon the stage."
Students learn the characteristics of seven different kinds of folds and how to render them, including pipe, zigzag, spiral, half-lock, diaper pattern, drop, and inert folds. Mastery of these principles is the key to realistic portrayal of garments, as well as the proper rendering of cloth in still lifes. The straightforward, easy-to-follow text is illustrated by 200 of Bridgman's own sketches and diagrams, reproduced from pencil renderings in crisp halftones. Art students, teachers, and professionals alike are sure to welcome this inexpensive republication of a practical, hands-on manual by a master of figure drawing.

  • Sales Rank: #486839 in Books
  • Published on: 2001-08-09
  • Released on: 2001-08-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.50" w x .25" l, .28 pounds
  • Binding: Paperback
  • 64 pages

From the Back Cover

Many art students and professionals have mastered the art of depicting unclothed figures, but still have trouble accurately rendering clothing or other forms of draped cloth. Part of the problem—before this book came along—was that there was a lack of concise and simple instruction on the subject, and much that was written was too vague to be helpful. This comprehensive, well-illustrated book was created to solve the problem.
In these pages George Bridgman—a longtime instructor at New York's Art Student League and one of the nation's foremost teachers of figure drawing—offers expert advice on depicting draped figures. "Clothing is none other than a drapery arranged around a body that is beneath it. To express the multitudinous forms it takes, one should learn to express in a direct way the different characters of folds, for each one plays its individual part as distinctly apart as actors play their different characters upon the stage."
Students learn the characteristics of seven different kinds of folds and how to render them, including pipe, zigzag, spiral, half-lock, diaper pattern, drop, and inert folds. Mastery of these principles is the key to realistic portrayal of garments, as well as the proper rendering of cloth in still lifes. The straightforward, easy-to-follow text is illustrated by 200 of Bridgman's own sketches and diagrams, reproduced from pencil renderings in crisp halftones. Art students, teachers, and professionals alike are sure to welcome this inexpensive republication of a practical, hands-on manual by a master of figure drawing.
Dover (2001) unabridged republication of The Seven Laws of Folds, originally published by Bridgman Publishers, Inc., Pelham, New York, 1942.

About the Author
Canadian artist George Brandt Bridgman (1865–1943) studied at the École des Beaux Arts in Paris and taught at New York City's Art Students League. Generations of students have learned the principles of anatomy and figure drawing from his books, which rank among Dover's most popular art instruction texts.

Most helpful customer reviews

3 of 4 people found the following review helpful.
examples poorly printed
By Yaoimila
As I was reading this book I kept thinking this must be a reprint of something written in the 1950s. The writing style had that cumbersome approach of much older 'how to' books. In fact the book is a reprint of another book called "The Seven Laws of Folds", and I suspect it was orignally a book meant for sculptors. The examples are charcoal(?) drawings. Most of well known statues. The descriptions really don't seem to apply to drawing at all. I tried looking through the eyes of a would-be sculptor while I read. Only then did the book seem useful.
Unfortunately, I have another complaint. The example sketches are, well, terrible. Many of them I could not make out. There are photographs in the book as well that are so badly reprinted I really have no idea what they're sposed to be.
There needs to be a better book to help people draw 'the draped figure.' This one really doesn't help.

4 of 5 people found the following review helpful.
OK, but not great
By n0s4a2
Bridgeman is an indispensable teacher of human anatomy (even though he worked in the early 20th century), but this isn't the best book out there. The drawings are too loose and sketchy to see clearly what he is describing. He goes through the seven typs of folds all right, but they need to be illustrated more three dimensionally. I'd choose this over Hogarth's book, though, because Bridgeman's written descriptions are to the point, and at least the drawings aren't overdone. And it's [inexpensive]. The world cries out for the definitive book on drapery: one that is concise, accurate, and with good drawings. I saw one once on a guy's desk in an animation studio, it looked like it was written in the '50s, but I can't remember the name; it had superbly elegant drawings and lean, no-nonsense explanations of the 7 folds. I made some copies, but not of the title. Oh well, Bridgeman will have to do.

13 of 16 people found the following review helpful.
Two Different Books?!
By Andrew S.
After reading the other very positive review, I'm wondering if we have two different books!
I was looking forward to receiving this book as I've been experimenting drawing folds and clothing lately, but needed some guidance. I thought this book would provide it. It didn't.
There are several problems.
1. The drawings are almost incomprehensible line drawings that give no clear picture of exactly what's going on in the various kinds of folds.
2. There's a lack of useful photographs.
3. The poor printing quality doesn't help.
4. The text gives no "laws" of folds (such as: The fabric will always bend this way if it hangs that way, etc).
In a bookstore in Italy recently I saw a book by Hogarth on the same subject. Though it was in Italian, the drawings showed much more clearly exactly what's going on with clothing in various positions and movements. With text in English, I can only imagine it will be far more helpful to me than this Bridgman book.
I'm just happy the Bridgman book was inexpensive.

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[H190.Ebook] Ebook Singing for Power: The Song Magic of the Papago Indians of Southern Arizona, by UNDERHILL (Ruth)

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Singing for Power: The Song Magic of the Papago Indians of Southern Arizona, by UNDERHILL (Ruth)

  • Sales Rank: #9596767 in Books
  • Published on: 1938
  • Number of items: 1
  • Binding: Hardcover
  • 158 pages

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